Las óleos de todo Antonio Pisanello
ID Image  Painting (From A to Z)       Details 
57228  
Antonio Pisanello, A portrait of a young princess
  		 A portrait of a young princess   mk255 about 1435-1440 about 0.43 meters high, 0.30 meters wide. Paris, the Louvre
1568  
Antonio Pisanello, Ginepro d'Este
  		 Ginepro d'Este   c1440 Musee du Louvre, Paris
40187  
Antonio Pisanello, Madonna of Humility
  		 Madonna of Humility   mk156 c.1442 Tempera on panel 62x48.8cm
1573  
Antonio Pisanello, Portrait of the Emperor Sigismund
  		 Portrait of the Emperor Sigismund   1432-33 Art History Museum, Vienna
1571  
Antonio Pisanello, The Virgin and the Child with Saints George and Anthony Abbot
  		 The Virgin and the Child with Saints George and Anthony Abbot   National Gallery, London
40186  
Antonio Pisanello, The Vision of Saint Eustace
  		 The Vision of Saint Eustace   mk156 1438-1442 Tempera on panel 54.8x65.5cm
1567  
Antonio Pisanello, The Vision of St.Eustace
  		 The Vision of St.Eustace   National Gallery, London
30415  
Antonio Pisanello, Tournament
  		 Tournament   mk68 Fresco Mantua Ducal Palace 1446-1447
53660  
Antonio Pisanello, Virgin and child with St. Goran and St Antonius
  		 Virgin and child with St. Goran and St Antonius   mk234 1400-century middle 47x29cm
Antonio Pisanello
1395-1451 Italian Antonio Pisanello Galleries professionally as Antonio di Puccio Pisano or Antonio di Puccio da Cereto, also erroneously called Vittore Pisano by Giorgio Vasari, was one of the most distinguished painters of the early Italian Renaissance and Quattrocento. He was acclaimed by poets such as Guarino da Verona and praised by humanists of his time who compared him to such illustrious names as Cimabue, Phidias and Praxiteles. He is known for his resplendent frescoes in large murals, elegant portraits, small easel pictures, and many brilliant drawings. He is the most important commemorative portrait medallist in the first half of the 15th century. He was employed by the Doge of Venice, the Pope in the Vatican and the courts of Verona, Ferrara, Mantua, Milan, Rimini, and by the King of Naples. He stood in high esteem of the Gonzaga and Este families. He had many of his works wrongly ascribed to other artists such as Piero della Francesca, Albrecht Durer and Leonardo da Vinci, to name a few. While most of his paintings have perished, a good many of his drawings and medals have survived.



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